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Michael K. Beusch |
Date: 2001-03-13

Blazing Saddles is one of the great comedies of all time. Unfortunately, it's likely that no major studio today would release it. South Park: Bigger, Longer and Uncut, Something About Mary and American Pie (all hilarious movies which I would highly recommend, by the way) contain toilet humor that makes Mel Brooks at his most graphic seem like a Disney movie in comparison. However, today's politically correct Hollywood would be horrified with a comedy that uses racial epithets left and right, worrying about the backlash that subject matter would cause.

This is too bad because Blazing Saddles shows that such language, given the right context, can actually combat bigotry by showing how stupid it really is. Cleavon Little, as Sheriff Bart, and Gene Wilder, as The Waco Kid, are presented as islands of sanity in a sea of ignorant, racist townspeople. The 'n' word is thrown out repeatedly, but is intended as an insult to the people who say it rather than a slur against blacks. Mel Brooks, a very liberal Democrat, recognized that racism is offensive and nasty in nature and showed it in its true light in Blazing Saddles. As a result, the film does more to ridicule racism and bigotry than most serious "message films" on the same subject ever could.

Unfortunately, the corporate suits who now run the big studios are more worried about image and profits than producing quality movies. As long as a film offends as few people as possible and appeals to as many members of the general public as possible (preferably between the ages of 18 and 35), the executives like it -- even if the film has no originality or artistic merit at all. As a result, films like Blazing Saddles and TV shows like All in the Family are taboo these days. Hollywood has lost a lot of daring and courage since 1974. See Blazing Saddles and you will realize just how much.

Elwood Conway |
Date: 2006-11-01

Yes, I am an early adopter and this was the second HD-DVD I purchased. I show this to my friends, including those with HDTV from either cable or a dish, and they are VERY impressed. This movie looks fantastic. The colors are spot on and the level of sharpness is top notch. This release showcases an excellent video transfer of this movie. Regardless of whether or not Mel's humor is to your liking, this is one of the finest HD DVDs currently on the market

M. Hart |
Date: 2004-06-26

"...of thought cascading into a waterfall of creative alternatives." Thus spoke Hedley Lamarr (Harvey Korman), the State Procurer, Attorney General and Assistant to the Governor as he plotted against the residents of Rock Ridge in Mel Brooks' hilarious western spoof "Blazing Saddles", which was first released to theaters in 1974. With the meager budget of only $2.6-million, the film grossed over $119.5-million, making it the highest grossing western of all time until the release of "Dances with Wolves" in 1990, which grossed over $184-million. The success of "Blazing Saddles" is attributable in large part to the superb direction and writing (in conjunction with several other writers) of Mel Brooks, who (of course) also acted in the film in three separate roles: as Gov. William J. LePetomaine, an Indian chief and a World War I aviator. Equally important are the many very talented comedic actors who brought the film to life.

The plot of "Blazing Saddles", as I eluded to in my review opening, takes place primarily in the fictional old-west town of Rock Ridge, whose residents seemingly all have the same last name and who have been mercilessly besieged by a group of thugs who are lead by a man named Taggart (Slim Pickens, 1919-1983). After the thugs kill the sheriff of Rock Ridge, the residents send an urgent plea to Gov. LePetomaine to immediately appoint a new sheriff. Gov. LePetomaine delegates the appointment to his assistant Hedley Lamarr, whose nefarious secret agenda is the destruction of Rock Ridge to make way for a new railroad line. Lamarr devises what he believes will be the final, unconscionable inducement to the residents of Rock Ridge for them to vacate: the appointment of a black sheriff, Black Bart (Cleavon Little, 1939-1992). Most of the residents of Rock Ridge are aghast when Sheriff Bart rides into town. However, he quickly acquires a sidekick in Jim 'The Waco Kid' (Gene Wilder) and some unsolicited attentions from the heavily accented visiting stage performer Lili Von Shtupp (Madeline Kahn, 1942-1999), whose passions include the consumption of schnitzengruben. The story continues to entertain as it builds to a climax that only the twisted comedic genius of Mel Brooks could devise. Also, in classic Mel Brooks fashion, the film includes several musical interludes that include the film's title song (sung by Frankie Laine), "The Ballad of Rock Ridge", "I'm Tired" (sung by Madeline Kahn), "The French Mistake" and "April in Paris". Other memorable characters include Olson Johnson (David Huddleston), Rev. Johnson (Liam Dunn, 1916-1976), Mongo (Alex Karras in his first big-screen role), Howard Johnson (John Hillerman), Van Johnson (George Furth), Gabby Johnson (Jack Starrett, 1936-1989), Harriett Johnson (Carol DeLuise, a.k.a. Carol Arthur), Dr. Sam Johnson (Richard Collier, 1919-2000), Buddy Bizarre (Dom DeLuise) and a cameo by Count Basie (1904-1984). There were also several brief uncredited appearances by Anne Bancroft, Gilda Radner (1946-1989) and Rodney Allen Rippy who played Bart at age 5.

Overall, I rate "Blazing Saddles" with a resounding 5 out of 5 stars. It is a hysterically funny film that I can highly recommend to everyone. Though none of Mel Brooks' other films were as financially successful as "Blazing Saddles", many are noteworthy of mention, including "The Producers" (1968), "Young Frankenstein" (1974), "High Anxiety" (1978), "The History of the World, Part 1" (1981) and "Spaceballs" (1987).

Joel Maye |
Date: 2004-02-17

If Mel Brooks was born with 100,000 jokes and gags, 95,000 wound up in this movie. By far the strongest movie in the Brooks stable of send-ups (they're not snooty enough to be satires), this movie lampoons Westerns with his trademark low-brow and some high(er)-brow humor. The plot, in a nut shell - The evil Hedley Lamarr (Harvey Korman, in a performance I think bests his Carol Burnett ones) wants to run the railroad through peaceful Rock Ridge. Rock Ridge won't get out of his way, so he hires a black man as sheriff of the town, thinking this will accomplish his goal. But the sheriff (Cleavon Little) is just a little too smart (and stylish) for this to work. A fairly laid-back Gene Wilder plays The Waco Kid ("my name is Jim, but people call me...Jim."), Cleavon Little's quick-drawing sidekick. Together they clean up the town, foil Heddy's ("Hed-ley's") plans, and tear up a small portion of Hollywood along the way.

This movie is completely un-apologetic and un-PC in it's approach to racism - there's no way it would have been made in the last 20 years and but Mel Brooks would have the courage - but it's not a racist or preachy movie. It's just funny.

G.R.M. |
Date: 2000-06-15

This was definitely Mel Brook's crowning achievement. Unfortunately you could never release a movie like this today in our "politically correct" environment. Although Cleavon Little and Gene Wilder were terrific (these are common-clave people. You know, MORONS!), it is the supporting cast that truly made this the all-time classic it is today. Slim Pickens first line in the movie is unforgettable, Harvey Korman's hilarious bad guy (that's HEDLEY!), Madeline Kahn's deadpan impersonation of Marlene Dietrich, and Alex Karras as dimwitted Mongo all contribute to the nonstop hijinks. All are hilarious and each of them steals the show at some point in the film. That part where Mongo punches out the horse is a classic clip. One terrific character in the film not mentioned in other reviews here is frontier gibberish-uttering Gabby Johnson, a dead-on spoof of Gabby Hayes, who appeared in pretty much every Western film from the turn of the last century up through the Roy Rogers era. But the true gift of this film is that every kind of humor is used, from subtle situational humor to in-your-face slapstick comedy. Truly a funny movie that is appreciated by several generations today and will continue to be so in the future.